by Carol
Susan Vreeland
I have just come across the term "found still life." I'm not sure if this term has been around for long, but its new to me, and it fits right in with my approach to photography. The definition of a still life is this: "a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. " It is basically the adoption or adaptation of artistic still life painting. Those paintings are all about design, with the artist arranging the elements into an interesting composition. Often the objects are symbolic. Always lighting is critical. In addition, shadow, value, color and shape are all incorporated. Do any of those terms bring photography to mind?
In a photographic still life, the same principals apply. The photographer sometimes works with the composition and the light for hours. Should I place 3 lemons in the bowl? One lemon out and two in? a sliced lemon next to the full bowl? Should I light the scene from above, below, right or left - backlighting perhaps? Should I shoot from above? from the side? Which lens highlights the beauty? For me, although the results are much appreciated, the rigidity is too much.
Still life photography is a wonderful way to learn to work with form and light, but in practice, the controlled atmosphere fails to make my heart sing. For me the excitement comes from noticing the beauty arranged by a higher consciousness. How can I expect to match or surpass the grace of a dying rose caught in the golden hour, or the curve of an egret's neck as it bends into a stream for dinner? And then there is the water itself - in all its forms!
There can be beauty that's less obvious in a pile of leaves or twigs, or the way a shadow skims the water's edge, boulders scattered randomly near a river, a stand of birch trees. Even Man's sometimes heavy hand can create unexpected harmony in a pile of nails tossed aside, an old fence, a sunburst of rust.
In photographing "found still life" the idea is that the objects are inanimate, that nothing is moved into place by the photographer. There are no people in the shot. If the objects or their pattern tell a story, or symbolize something deeper in and of themselves, so much the better for creating as unique and meaningful image. Have you happened upon one of nature's still life compositions lately? Won't you share it in our gallery? And if you should choose to backlight it, it will even fit into our new monthly Focus On You theme. How ever you choose to shoot it, I'm guessing that your biggest reward will be from getting out into nature to look for it. Happy wandering!
"No better way is there to learn to love nature than to understand art. It dignifies every flower of the field. And the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone."
Oscar Wilde